Any trepidation I had soon melted away, as in person Iain Duncan-Smith is both kind and easy to work with. He is used to having his portrait taken and as such was at ease taking my direction and guidance for the shoot. Timed shortly after the failure of the Universal Credit Bill, pushed by IDS, it was ideally timed to represent the cross-roads which faced him as Secretary.
As opinions have come in to me following the images I am able to inwardly smile at my ability to create a portrait ready for the viewer’s opinion and not weighed down with my own political sentiment. Some feel I have captured the “essence of evil” while others have determined I’ve captured “a proud and well-respected politician”. Two sides of a coin: both correct in the eye of the beholder, both upholding those individual viewers’ opinions. If I can obtain varying opinions, both positive and negative, then I have achieved what I set out to achieve: impartiality. I have remained true to, and delivered on, the essence of the Historical Portrait. Photographing Iain Duncan-Smith was both inspiring and rewarding, paving the way for many more political sittings and the challenges they bring.